Theory | My production work |
“A process needed for problem solving... not a special gift enjoyed by few but a common ability possessed by most people” (Jones, 1993) An idea; creativity; overcoming difficulties; more important when overcoming adversities | |
“Novel [new] associations which are useful” (Isaken and Treffinger, 1993) Jail breakers; being able to maximise options through creativity; open pathways; innovation; dynamic; different; bold thinking | |
“The ability to bring something new into existence” (Anthony Storr) Making an original piece | I think my creativity came through the use of producing my production around my image motif and linking the projects together through the elements of this motif. I was able to transfer the house colours to all my projects as well as the imagery of the love hearts. I also wanted to share the same connotations across my projects, this was made possible by these similar denotations that already promoted sharing and love. |
“The making of the new and rearranging of the old” (Bentley, 1997) Bringing a new chapter; changing boundaries; taking something old and changing them making them new | Researching thriller films allowed me to pick out different techniques used to impact upon the audience and create an effective product. By building upon what I had learnt it allowed me to then expand the boundaries on top of the solid connotations such as the use of flashbacks. Because of the ability to create a new level of rules it collectively elevates the features of thriller films that were previously thought to be acceptable. |
Rule breaking/boundary testing Contrast; understanding and amplifying conventions | Through my research I was able to alert myself to the conventions of a real music video product. Goodiwn’s principle of creating a relationship between visuals and music was a principle I wanted to conform to. Goodwin’s principle of the notion of looking however, was a rule I stayed away from as I wanted to engage with the audience in a less empathetic way and more of a sympathetic way as the character was presented to the audience, instead of being presented as the audience. |
An inspiration that acts as a stimulus to enhance aspirations. | |
Monday, 24 January 2011
How can you relate media theory to your question 1(a) answer?
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